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Jan 2012 19

I am going to miss Derooted. After completing my internship I was sad that I will no longer work alongside the people I met there. Everyone’s personality was unique, but the shared qualities of honesty, creativity, and humour, as well as a down to earth and collaborative spirit. It combined to create an amazing work atmosphere that is hard to find, but one I will definitely look for in future workplaces.

The internship also gave me real and valuable understanding of the business and the many aspects of design. I interacted with clients, delivered on deadlines, collaborated with co-workers, and carried ideas from inception to production. I also gained unexpected skills — like using the tablet as a substitute for a mouse, and coming up with sales pitches for random items around the office at a moment’s notice. I am looking forward to using all my new skills and experiences in future — although I hope I will never have to sell a certain whistle again!

Thank you everyone! I will miss you!

 

- Anna Voronel

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Nov 2011 28

Who has an industrial espresso machine in their office? Who has teas I couldn’t pronounce just over top of that espresso machine? Who has black glass along the wall that you draw on with white magic markers? It’s none other than only the best internship ever: Derooted Design Agency. In fact, interning almost seems like an understatement for what I did and learned at Derooted; I truly felt like part of the team.

Being an undergrad student it seems that interning is a given with almost all programs. Mandatory or not, interning is said to be the best way to meet people in industry and gain experience. I hear this again and again. However, having done several internships in the past I’m sure I’m not the only one to say that many intern positions don’t hold up their end of the bargain in the sense that what the intern does isn’t in fact ‘experience,’ it’s simply invisible; it’s ‘invisrience’. Granted, these invisible things are unavoidable and need to be done, but when these things become your only obligation YOU start to feel invisible.

So having said that, my favorite part of being at Derooted was that my designs were taken seriously. They weren’t roughs that a client would never see. What I made, was exactly what was presented. Derooted let me make my stupid mistakes and deal with them, most of which I did because I was nervous, I swear! To me, that’s experience: it’s real, it’s never perfect, and it’s always visible as can be. Simon didn’t let anything go unnoticed so he could bring up every flaw and make me face it, explain it, and fix it. And honestly, no matter how humiliating I’m really glad he did! It’s what let me know that what I did really mattered.

On top of that I got to see the industry for what it is, hard work, tight deadlines, meetings outside in the park (weather permitting), dealing with clients, wine after 4pm on Fridays, etc. In short, the good, the bad, and the in between. Being with Derooted was fun, insightful, and truly a great VISIBLE interning experience. Thanks guys!

-Irina Zabelina

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Nov 2011 10

I am often burdened with the cumbersome task of trying to explain the difference between an artist and a designer: or perhaps more specifically, the difference between art and design.  As articulate as I would like to believe myself to be, I have yet to draw a definitive line between the two.  I don’t believe the case to be that my analysis has failed to render a clear definition for each, rather that the definition for the latter is not one that postulates a disambiguation that removes it from the former. In fact the two, at least as concepts, are inseparable: it is akin to removing orange juice from an orange. Yes, one can remove (or extract to be more precise) orange juice from an orange, but one cannot remove orange from orange juice, so to speak.  Namely, design is an inherent part of art, a component that despite being one that can be isolated, will always evoke the whole.

Up until quite recently, the term used to describe a person whose profession involves creating visual interpretations (tangible or intangible), which are intended to solve a client’s inability to generate revenue, was graphic artist. I am not quite sure about the history of this terms evolution, but am certain that at some point, it’s transition to graphic designer was at least in part due to a consensus among  “artists” to want to be removed from the association to the very commercial and consumerist culture they were so ardulently opposed to.  I am also almost certain that designers where only too relieved to be disassociated with the preconceptions associated with being labeled an artists.  The fact is however, that in creating a work of art, an artist must pay very close attention to it’s design, and in order for a designer to succeed in exceeding said client’s expectations, he must strip it of it’s art.  This may sound cynical, but it may be better illuminated by referring to what I believe to be the most concise definition of the term art I have ever come across: a German poet and playwright named Bertolt Brecht once said that “art is not a mirror held up to society, but a hammer with which to shape it”.  Art, as a discipline, exists to redefine universal truths, and to challenge at all times the conventions that stagnate progress.  A designer cannot afford to employ this methodology.  A designer’s aim is to solve a practical problem, using language and form: he cannot attempt to redefine the world around him to eliminate the problem; it is inherent in his approach to attack the issue post hoc.

I received my BFA from The Ontario College of Art & Design: a university which has struggled with clearly identifying the difference between the two, and which has suffered in purporting a solid identity (evident in the fact that it has had 3 different names in the last 15 years).  OCAD University (as it is now known) offers two undergraduate degrees: BFA and BDes.  The two faculties divide the student body, which adds to the confusion.  Design cannot stand alone, and neither can art for that matter; the two are in a constant state of inter-connectivity.  When OCAD U students are asked to choose a major, essentially they are being asked to be defined as either an artist or as a designer.  I happen to believe that this is erroneous, but I found a way around it, as I always do —the good designer that I am—  I did my minor in Communications Design.  So yes I am a classically trained artist, poised to challenge the rigid parameters of reality.  I am also a designer, aware of the tactile world my ancestors worked so busily to create, and trying to find ways to build upon that foundation.  What’s the difference between art and design?  My best answer is: I don’t know.

- Ruben

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Nov 2011 06

Roller Derby is coming for you, from every corner of this fine globe. Blood and Thunder —the world’s premier roller derby magazine— is bringing the first ever Roller Derby World Cup to Toronto this December.

December 2nd to 4th will see 12 teams rolling in to compete for world roller derby domination. England, Ireland, Scotland, Germany, Finland, Sweden, France, USA, Australia, New Zealand, Brazil, and Argentina and of course lucky number team 13— Canada, jamming, blocking and hitting their way to the title bout. Being on hand to see some of this country’s elite already, this promises to be one heck of a weekend.

I’ve done a skate with a few Rollergettes and my word are derby girls badass athletes. The amount of strategic and physical skill of these players is truly astonishing. These ladies go through grueling training sessions just to put their bodies on the line jam-in and jam-out. It’s not just about rad names, alter-egos and fishnets, it’s an insane amount of work to own that track on a country topping level.

I think part of my attraction to this amazing sport are the alter-egos. When else in life do you get to come up with a punk name for your other personality without being institutionalized? Honestly just getting to come up with my own derby name was a reason for me to learn to skate. The process itself started in my copywriting class last year as a creative exercise and has helped my writing experiences since. Although I’m set on Anne Bulance (say it fast), I still love having creative moniker sessions to see if I can blow my own mind with something better, though I doubt it.

Seeing as you won’t have anything more important than cheering on your country’s finest roller derby damsels on December 2nd to 4th, follow these instructions. Get your tickets, donate to Team Canada, and get your merch. Get creative with some “I (heart) Brim Stone/ Hell on Keller/ Georgia W Tush/ Lil Mama” signs, then just count on down the days until Toronto is hit with a world of hurt.

See you all trackside!

-Jenn Keenan a.k.a. Anne Bulance

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